Other than say Ride 4 having a Forza Motorsport 1&2 region mechanic expanded upon I can’t say I’ve come across similar in the racing genre or many others as many devs just copy and paste to compete…. Now the racing genre is just race, time trial, drift/elimination if your lucky. Forget unique modes, slight changes to be like 3 different drift modes or last man standing. Even Wreckfest we can’t even have Flatout style (predecessor) flinging the driver target practice. I can go to TOCA 3/V8 SUpercars 3 or DTM 3 or whatever for PS2 and DS/PSP/PS2-Xbox-PC are all different.

You press the R2 button to use your ability and it flies through the sky. Anybody familiar with the game that gave life to this special level instantly understands what to do. The Leviathan Axe is thrown and recalled in the same manner as the aforementioned title. You blow into the mic of the DualSense, replicating the horn being blown to call upon the World Serpent. You smash three bell shaped enemies in a perfect line, as if they were preventing you from opening a chest. The axe is stuck into columns, freezing them in place to platform up.

On top of that are numerous shorter challenges — tougher platforming or combat trials to test your skills — and a selection of secret stages to discover. It’s a generous package, and what’s most impressive is the sheer variety it offers. Some distinctive PlayStation-themed bots — think one wearing Aloy’s red hair or Kratos’ beard — serve a more special purpose.

Some are fairly straightforward, like the bulldog rocket that shoots you horizontally forward and can damage objects, while a rooster one can shoot you vertically in the air, which is used to pull objects out of the ground. Once they’re collected, the characters go to hang out on a hub world and you can randomly unlock gatcha toys that provide them with a little diorama or accessory to act out something from their game, like in Astro’s Playroom. There’s still no way to tell who they are though, which seems a bizarre waste after all the legal effort that must’ve gone into licensing them in the first place. It’s easily better than any of the Ratchet & Clank games and, apart from Nintendo, its only real rival is PlayStation VR predecessor Astro Bot Rescue Mission. Although this game could be construed as a sequel to that and certainly shares many similar sequences and characters.

Puzzle pieces are used to create images of objects that then become additional buildings for players to interact with in the hub world. The first one players build is the gacha machine that they will remember from Astro’s Playroom, and that’s where the majority of one’s coins will be spent as well. Items from the gacha machine fill the hub world out further, and it soon becomes an interactive monument to PlayStation history. It seems odd to say I don’t want to spoil a game that effectively has no story, but some of the game’s best secrets really must be discovered with your own eyes.

There’s nothing beyond familiar forms and frameworks, yet it still manages to bring a smile to our faces. There’s not much to say about Astro Bot’s plot; it serves as a simple introduction, giving the player a reason to rescue bots in need and search for console-ship components to continue the journey through the vast cosmos. What truly sets Astro Bot apart from the competition, however, is the gameplay. In 2024, Astro Bot not only comes to Sony’s rescue but also in a big way reminds us why we play video games at all. None of that affects Astro Bot’s quality as a game but it does limit its successfulness as a nostalgia piece.

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These short sprints are littered with fast-moving objects, numerous enemies, and precise gaps to hop across that are designed to trip you up. Throw a complete lack of checkpoints into the mix as well, and these are easily some of the toughest tasks in Astro Bot, with a final level that’s a real tough nut to crack. It’s a non-stop gauntlet of quickfire threats that made me piece together everything I had learned up until that point in a frantic, but still fun test. Unlike ASTRO’s Playroom, ASTRO BOT is a standalone, full-sized adventure that offers over four times more worlds, 300 bots to rescue and dozens of new powers and features to discover.

It’s not just movement though, as the creak of Aloy’s bow and arrow, while aiming in the Horizon level, is insanely satisfying and much better than in the actual game it’s based on. Bafflingly though, none of the characters are ever named – not the first party Sony ones or the third party ones. Instead, Ratchet, for example, is referred to merely as Tooled-Up Mechanic and Jill Valentine simply as Alpha Female. There’s also a character called Pro Skater, which we assume is Tony Hawk, but perhaps it’s one of Sony’s forgotten extreme sports games – it’s impossible to tell.

That’s why many studios try to compensate by pouring money into those other areas. These games are a celebration of gaming – specifically PlayStation gaming. @Darude84 I would say, regardless of age, if you have any interest in 3D platformers at all, I can’t recommend this highly enough. As usual, happy to answer any questions about the game and the review Thank you for reading. If you want to collect these yourself in your own game, check out our guide to all bot locations, or the 100% walkthrough.

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The hub world also continues to grow as you progress through the game. As you rescue more bots, they will make their own little spaces out and about, all in the area around the ship. n188 down puzzle pieces across each stage as well, with these working towards unlocking a habitat that grants you additional collectibles such as skins for Astro Bot or the controller you fly around on. The puzzle pieces unlock these areas in order, so you’ll have these locations granted to you in the same order as everyone else.

The dioramas are especially fun, as they turn all your collected bots into animated statues, like one that shows Nathan Drake playing a game called Dude Raider on his couch. Even the most serious of characters are turned into caricatures, like a scene you can create in which The Last of Us’ Joel goes to throw a brick, but it slips out of his hand and bonks him on the head. All of the 169 cameo bots fill in the would-be barren desert sands like a virtual shelf of Funko Pops. My favorite aspect of the game is how it seems to read my mind. Every time I’d divert off the main path in search of a secret or reward, I would find one.

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Here Astrobot has the talent & the polish but are the mechanics/moveset actually as good as the forgotten platformers nope. Splatoon 2 was good to me early this year, grapple/other details were simple but great QOL over 1 & the guns as grapples, etc. were fair & the level design was great. People can call me crazy, I don’t care, Astro’s Playroom is still one of my top 5 favorite games on PS5 and I had very high expectations for this. Have to play it to find out for sure but I’m very encouraged by these reviews as it’s grading ahead of even some of Nintendo’s best. Would not be surprised of this gets the highest overall rating for a game this year.

While it’s beautiful to see people celebrating online, it is a shame when a moment of joy, such as a less well-renowned title like Astro Bot winning Game of the Year, is tarnished by a negative swell. Combine this with the fact that extreme views increase the number of likes a post gets, and therefore how much it’s seen, and what you’re left with is an environment that’s set up to prioritize strong opinions. An interesting study reported by Scientific American showed that one of the elements that drives online polarization are influencers. As the piece explains, in network science, an influencer is someone who is connected to lots of other people.